moove
- Carve space between any two sounds — kick & bass, hats & rides, vocals & synths
- Automatic sidechain detection for instant, hands-free ducking
- Six versatile ducking shapes plus an infinite-resolution Draw mode
- Frequency-clash dipping — transparent carving, only where sounds collide
- One-click automatic phase alignment for a tight, powerful low end
Move anything out of the way.
Moove carves space in your mix by ducking one sound in time with another — from a smooth tempo-synced pump to surgical, frequency-domain carving — then lines them up in phase so everything hits hard and stays tight.
Musical ducking, six ways.
Auto, Duck, Gate, Chop, Glide and Punch — six tempo-synced shapes from a gentle pump to a hard rhythmic chop. Locked to your host tempo, driven by tempo, audio or MIDI, and completely zero-latency.
Surgical and transparent.
Instead of ducking the whole signal, a high-resolution FFT dips only the exact frequencies where two sounds collide — so your low end stays full while the kick still punches through. It’s the most transparent way to separate a mix. And it goes further: dial in the SC filter’s band-pass and Moove doubles as a dynamic resonance and frequency suppressor — taming harsh peaks, boxy build-ups and ringing resonances wherever they hide.
Your curve, your groove.
Draw your own ducking shape with up to eight nodes. Your channel audio sits behind the curve in white with the trigger overlaid in purple, so you shape around the real sound — with a playhead riding along in time.
A tight, powerful low end — automatically.
Kick and bass often fight in the sub even after ducking, because their waveforms are out of phase. Hit LEARN and Moove listens to both and lines them up for you — so energy adds up instead of cancelling out.
Everything in Moove
Show full feature list
| Feature | What it does |
|---|---|
| Automatic sidechain detection | Senses your trigger and ducks instantly — no manual routing or sends to set up. |
| External sidechain triggering | Feed any external source through your DAW’s sidechain for source-accurate movement, right down to fast double-kicks. |
| Trigger modes | Tempo Sync (locked to the host grid), Audio (retriggered by transients) or MIDI (fired from notes). |
| Six ducking shapes | Auto, Duck, Gate, Chop, Glide and Punch — from a smooth musical pump to a hard rhythmic gate. |
| Infinite-resolution Draw | Draw your own ducking curve or LFO with up to 8 nodes; your channel audio sits behind it so you shape around the real sound. |
| Rate & Smooth | Set the cycle from 1/16 to 1/1 and round the curve from sharp and aggressive to gentle and flowing. |
| Frequency Dip (spectral) | A high-resolution linear-phase FFT dips only the frequencies where two sounds collide — the most transparent separation possible. |
| Resonance & frequency suppression | Dial in the SC filter’s band-pass and Moove tames harsh peaks, boxy resonances and ringing wherever they hide. |
| Vocal de-essing | Target and dynamically dip sibilance for smooth, controlled vocals. |
| SC filter & SC Listen | Full 20 Hz–20 kHz sidechain filter (band-pass in Frequency Dip) to focus exactly where you carve, with SC Listen to audition. |
| Phase Align (LEARN) | One click analyses kick and bass and lines them up in phase for a tight, powerful low end. |
| Saturation module | Built-in analogue-style saturation adds warmth, weight and harmonic character to taste. |
| 75 factory presets | Professionally designed starting points, organised in folders. |
| Zero latency | All volume shapes and Draw are zero-latency; Frequency Dip is fully delay-compensated by your DAW. |
| Formats & OS | VST3, AU and Standalone — macOS & Windows. |
Specifications
| Formats | VST3 · AU · Standalone |
| Platform | macOS & Windows |
| Modes | 6 volume shapes · Frequency Dip · Draw |
| Triggers | Tempo Sync · Audio · MIDI |
| Extras | Phase align · SC filter · saturation · 75 presets |
| Maker | Dead Quiet Studios |